DISCONTINUED
fp
- L-Mount
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Type
Interchangeable-lens Mirrorless Type Digital Camera
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Memory Media
SD, SDHC, SDXC memory card (UHS-Ⅱ supported) , Portable SSD (USB 3.0 connection, USB bus power supported)
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Lens Mount
L-Mount
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Image Sensor Type
35 mm full-frame (35.9 mm x 23.9 mm) Back-illuminated CMOS sensor
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Camera Effective Pixels / Total Pixels
Approx. 24.6 MP / Approx. 25.3 MP
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Aspect Ratio
3:2
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Color Filter System
RGB Primary color filter
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Still Image File Format
Lossless compression RAW(DNG) data 12 bit,14 bit / JPEG(Exif2.3), RAW(DNG)+JPEG:recording is possible
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Image Aspect Ratio
[21:9] , [16:9] , [3:2] , [A Size (√2:1) ] , [4:3] , [7:6] , [1:1]
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RAW (File Size)
HIGH : 6,000×4,000 (3,840×2,560)
LOW : 3,008×2,000 (1,920×1,280) -
JPEG (File Size)
[21:9]
HIGH : 6,000×2,576 (3,840×1,648)
MED : 4,240×1,824 (2,736×1,168)
LOW : 3,008×1,288 (1,920×824)
[16:9]
HIGH : 6,000×3,376 (3,840×2,160)
MED : 4,240×2,392 (2,736×1,536)
LOW : 3,008×1,688 (1,920×1,080)
[3:2]
HIGH : 6,000×4,000 (3,840×2,560)
MED : 4,240×2,832 (2,736×1,824)
LOW : 3,008×2,000 (1,920×1,280)
[A Size (√2:1) ]
HIGH：5,664×4,000 (3,616×2,560)
MED：4,000×2,832 (2,560×1,824)
LOW：2,832×2,000 (1,808×1,280)
[4:3]
HIGH：5,344×4,000 (3,408×2,560)
MED：3,776×2,832 (2,416×1,824)
LOW：2,672×2,000 (1,712×1,280)
[7:6]
HIGH：4,960×4,000 (3,184×2,560)
MED：3,520×2,832 (2,272×1,824)
LOW：2,480×2,000 (1,584×1,280)
[1:1]
HIGH：4,000×4,000 (2,560×2,560)
MED：2,832×2,832 (1,824×1,824)
LOW：2,000×2,000 (1,280×1,280) -
Crop
Equivalent to approx.1.5times the focal length of the lens (for 35 mm cameras)
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Color Space
sRGB, Adobe RGB
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Camera Internal Record
Movie Format
CinemaDNG（8 bit, 10 bit, 12 bit）/ MOV：H.264 （ALL-I, GOP）
Audio Format
Linear PCM (2 ch 48 kHz / 16 bit)
Record Format / Frame rate
3,840 x 2,160 (UHD 4K) / 23.98 p, 24 p, 25 p, 29.97 p
1,920 x 1,080 (FHD) / 23.98 p, 24 p, 25 p, 29.97 p, 48 p, 50 p, 59.94 p, 100 p, 119.88 p
Continuous Shooting Enable Time
Up to 2 hours
Cinema DNG Memory Media Limitation
SD Card (UHS-II) : UHD 8 bit 25 p or less, FHD 12 bit 59.94 p or less
Portable SSD : UHD 12 bit 29.97 p or less, FHD 12 bit 100 p or less, FHD 8 bit 119.88 p or less -
HDMI External Output
Movie Format
4:2:2 8 bit
12 bit RAW :External recorder record : ATOMOS Ninja V, ATOMOS Ninja V+, ATOMOS Shogun CONNECT, Blackmagic Video Assist 12G supported
Audio Format
Linear PCM (2 ch 48 kHz/16 bit)
Record Format / Frame Rate
4,096 x 2,160 (DCI 4K) / 24 p * Only for RAW output
3,840 x 2,160 (UHD 4K) / 23.98 p, 24 p, 25 p, 29.97 p
1,920 x 1,080 (FHD) / 23.98 p, 24 p, 25 p, 29.97 p, 48 p, 50 p, 59.94 p, 100 p, 119.88 p -
AF System / Focus Mode
Contrast detection system, Single AF, Continuous AF (with moving object prediction function), Manual Focus
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AF Sensitivity Range / AF Mode
-5 to 18 EV (F1.4:ISO 100) / Auto, 49-point selection mode, Free Move mode, Face/Eye Detection AF mode, Tracking AF mode
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AF Lock
Half-press the shutter button, or press the AEL button (setting change required)
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Other Focus Functions
AF+MF, MF Magnification (Full Screen, PIP), MF Display, Focus Peaking, Release Focus Function, AF-ON, Quick AF, Pre-AF, AF during Image Magnification, Focus Ring Control (Non-linear, Linear)
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Metering System
Evaluative, Spot, Center Weighted Average
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Metering Range
-5 to 18 EV (50 mm F1.4:ISO 100)
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Still Image Shooting Mode
(P) Program AE (Program Shift capable), (S) Shutter Speed Priority AE, (A) Aperture Priority AE, (M) Manual
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Movie Shooting Mode
(P) Program AE, (S) Shutter Angle/Speed Priority AE, (A) Aperture Priority AE, (M) Manual
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ISO Sensitivity (Recommended exposure value)
Base ISO
[Still]
ISO 100,640
[Cine]
CinemaDNG 12 bit / HDMI RAW:ISO 100, 3200
MOV / CinemaDNG 10 bit, 8 bit, HDMI 4:2:2 8 bit:ISO 100, 640
Settable Range
ISO 100-25600 / Expanded sensitivity ISO 6, 12, 25, 50, 51200, 102400 -
Exposure Compensation
±5 EV (in 1/3 stop increments) : ±3 EV at movie recording
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AE Lock
Half-press the shutter button, or press the AEL button (setting change required)
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Exposure Bracket
3 shots, 5 shots stage exposure 3EV (1/3 Step,
Standard→Underexposure→Overexposure) (Sequence changeable) -
Exposure Tool
Brightness Level Monitor (Waveform, Histogram ), Zebra Pattern, False Color (False Color, EL ZONE)
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Image Stabilization System
Electronic system
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White Balance
12 types
( Auto, Auto[Lighting Source Priority], Daylight, Shade, Overcast, Incandescent, Fluorescent, Flash, Color Temperature[50K steps], Custom 1, Custom 2, Custom 3 ) -
Shutter Type
Electronic shutter
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Shutter Speed
30 to 1/8,000 sec., Bulb up to 300 sec.
* Up to 1/4,000 sec. when using electronic image stabilization -
Self Timer
2 sec., 10 sec. (Countdown Indicator)
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Drive Modes
Single Capture, Continuous, Self Timer, Interval Timer
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Continuous Drive Speed
High Speed:approx. 18 shots/ sec, Medium Speed:approx. 5 shots/ sec, Low Speed:approx. 3 shots/ sec.
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Number of Recordable Frames
HIGH: 12 frames, MED: 12 frames, LOW: 24 frames
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Monitor Type / Coverage
TFT color LCD, Aspect Ratio 3:2, 3.15 type, Approx. 2.1M dots , Electrostatic capacitance system touch panel / Approx. 100%
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Built-in Flash
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Flash Mode
S-TTL Auto Exposure, Manual Flash, Wireless Flash, Multi Flash
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Optional Functions
Red-eye Reduction, Slow Synchronization, Rear Curtain Synchronization
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Flash Exposure Compensation
Max. ±3 EV in 1/3EV step increments
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Flash Sync. Speed
Max. 1/30 sec.
* 1/15 sec. or less at 14 bit RAW -
External Flash Support
Available when the HOT SHOE UNIT HU-11 (supplied with this product) is mounted. * S-TTL, Wireless support, X-sync.
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Color Mode
16 types
(Standard, Vivid, Neutral, Portrait, Landscape, Cinema, Warm Gold, Teal and Orange, Sunset Red, Forest Green, Powder Blue, FOV Classic Blue, FOV Classic Yellow, Duotone, Monochrome, Off ) -
Supported Cloud Connection models
ATOMOS Ninja V+*, ATOMOS Shogun CONNECT
*Available when the ATOMOS CONNECT is mounted. -
Director’s Viewfinder Supported cameras
ARRI
ARRICAM / ARRIFLEX, ALEXA LF/ ALEXA Mini LF, ALEXA SXT, ALEXA Mini, AMIRA, ALEXA65, ALEXA XT
SONY
VENICE
RED
MONSTRO 8K, HELIUM 8K, DRAGON 6K, EPIC MX 5K, GEMINI 5K, KOMODO 6K -
Director’s Viewfinder Frame Guide
1.33:1, 1.85:1, 2.39:1, Custom 1, Custom 2
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Director’s Viewfinder Custom Frame
Input (Sensor Area, Aspect Ratio) , Offset, Style (4 styles) , Line (1 to 10 px) , Color (White, Black, Red, Yellow, Green, Cyan, Blue, Magenta) , Shading
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Other Functions
Save / Load Settings via QR code, Screenshot, Webcam, In-camera RAW development, Still image capture from recorded movie files, Cinemagraph, Fill Light, HDR shooting (Still, Cine) , Still image shooting during movie shooting
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Built-in Microphone / Speaker
Stereo Microphone, Monaural Speaker
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Display Language
English, Japanese, German, French, Spanish, Italian, Simplified Chinese, Traditional Chinese, Korean, Russian, Dutch, Polish, Portuguese, Danish, Swedish, Norwegian, Finnish
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USB Terminal
USB3.1 GEN1 Type-C (supports Mass Stroage, Video Class(UVC), Camera Control)
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HDMI Terminal
Type D（Ver.1.4）
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Remote
Also used as an external microphone terminal
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Timecode Input
Also used as an external microphone terminal
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External Microphone Terminal
Φ3.5 mm stereo mini jack (Plug-in power support)
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Headphone Output Terminal
Φ3.5 mm stereo mini jack (can be connected when using the dedicated ELECTRONIC VIEWFINDER EVF-11)
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Flash-synchro Terminal
Dedicated terminal (with HOT SHOE UNIT HU-11 (supplied with this product) mounted)
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Dust and Splash Resistant Structure*
Provided
*Although this construction allows the camera to be used in light rain, it is not the same as being waterproof. -
Power
Li-ion Battery Pack BP-51
*Internal battery charge via USB terminal available.
(the camera can not be used while charging) -
Number of Recordable Still Images
Approx. 280 images
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Minutes of Recordable Continuous Shooting
Approx. 70 min.
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Dimensions (W x H x D)
112.6 x 69.9 x 45.3 mm / 4.4 x 2.8 x 1.8 in.
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Weight
422 g / 14.9 oz.(including battery and SD card), 370 g / 13.0 oz.(Camera body only)
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Operating Temperature
32 – 104 °F / 0 – +40 °C
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Operating Humidity
85 % or less (non-condensing)
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Supplied Accessories
Li-ion Battery Pack BP-51
Strap
STRAP HOLDER SH-11
USB AC ADAPTER UAC-11
USB CABLE (A-C) SUC-11
HOT SHOE UNIT HU-11
Body Cap
Instruction Manual
Limited Warranty
Warranty Sticker -
Optional Accessories
HAND GRIP HG-11
LARGE HAND GRIP HG-21
LCD VIEWFINDER LVF-11
ELECTRONIC VIEWFINDER EVF-11
BASE PLATE BPL-11
CABLE RELEASE CR-41
BASE GRIP BG-11
DC CONNECTOR CN-21
BATTERY CHARGER BC-71
AC ADAPTER SAC-7P
STRAP HOLDER SH-11 (2pcs) -
Product Barcode
fp Body : 00-85126-93730-0
fp + 45MM F2.8 DG DN | Contemporary : 00-85126-93731-7
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Pocketable Full-frame│ Impressive portability and power
The “smallest and lightest body possible” with which one can express their creative ideas whenever they want, combined with a “full-frame sensor” that is suitable for serious occasions without compromising on image quality, and “superb build quality” that makes the camera the perfect linchpin of a high-performance lens system.
Dimensions (W x H x D)：112.6 x 69.9 x 45.3 mm / 4.4 x 2.8 x 1.8 in.
Weight：370 g / 13.0 oz.(Camera body only)
Image Sensor：35 mm full-frame / Approx. 24.6 MP
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Scalable│ Versatile scalability
An “open system” that allows one to pair the camera with not only Sigma lenses but also other lenses and accessories, whether from Sigma or other brands, using a variety of attachments, complete with “ultimate versatility and scalability” that makes the camera adaptable to any scenes.
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Seamless│ Full-fledged, liberating shooting functions
A “highly intuitive UI” that allows one to move between full-fledged still and video shooting modes with just one finger, making for a “seamless and truly creative tool” that goes beyond style and genre differences.
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Carry all the amazing things in your pocket.
The world’s smallest and lightest full-frame mirrorless camera.*
With overall dimension of 112.6 x 69.9 x 45.3mm and body weight of 370g and 375g for the fp and the fp L, respectively, the Sigma fp family is the world’s smallest and lightest* full-frame mirrorless cameras. They are small enough to take for casual use, so you can enjoy the full-frame image quality for your everyday snaps.
*As of March 2021, by Sigma
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Abundant of choices for every occasion.
L-Mount lenses.
The Sigma fp series uses the L-Mount*, characterized by a short flange focal length, large diameter, and superior durability. For interchangeable lenses, in addition to the wide-ranging choice of Sigma lenses, other manufacturers’ lenses can also be an option through the L-Mount Alliance with Leica Camera AG and Panasonic Corporation. With the Sigma MOUNT CONVERTER MC-21, Sigma SA mount and Sigma’s CANON EF mount lenses can be used, making the best out of one’s lens investment.
*The L-Mount Trademark is a registered Trademark of Leica Camera AG.
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Make your communication more engaging than ever.
Transforming a Sigma fp to a webcam with just a USB cable.
By simply connecting it to a PC via USB, a Sigma fp camera can be used as a webcam. It will bring a stunning, full-frame image quality to live streaming and online communication including video conferencing.
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Film like a pro.
Supporting 12bit CinemaDNG recording
Supporting Blackmagic RAW and ProRes RAW HDMI outputs as standard
Professional video interface
For raw video data, the Sigma fp series supports 12-bit CinemaDNG external recording. With 4K UHD/24fps recording, it produces video data that can be used even in filmmaking. It also supports Blackmagic RAW and ProRes RAW over HDMI recording, so you can choose one according to your workflow.
For the operation system, the Sigma fp series features a dedicated interface that supports commonly used cinema cameras, which means it can be taken straight to video production settings.
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Your tough companion. Wherever you go.
Dust and Splash Resistant Structure* / Large Heat Sink
A body covered with die-cast aluminum on the front and the back ensures superior robustness and heat dissipation while keeping the body weight light.
The Sigma fp series is protected with the dust and splash resistant sealing on a total of 42 points over the camera body. Combined with a large-size magnesium heat sink that prevents overheating, the Sigma fp series is a reliable choice for shooting in a wide range of conditions as well as long hours of use.
*Although this construction allows the lens to be used in light rain, it is not the same as being waterproof.
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See outside the frames.
Diverse aspect ratios
In STILL mode, you have seven aspect ratios to choose from. You can either choose one that suits your mood and preference, or try out one that you don’t normally use to discover a new framing and style. The Sigma fp series’ diverse aspect ratio will bring you possibilities to experience something that may change the way you see things.
7 types of aspect ratios
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Find your own expression
Cinemagraph / Fill Light / Color mode
In addition to a total of 15 color modes to choose from, the Sigma fp series features a number of functionalities such as Cinemagraph, which is animated GIF that is a hybrid between photography and video, and Fill Light, which is Sigma’s special light control function. These features specially created for the Sigma fp series will help you find your own style.
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A camera that whispers. For enjoying precious moments.
Full-time electronic shutter
Shutter shock, sound, and lags: these are disadvantages of mechanical shutters. The Sigma fp series is designed to minimize them in pursuit of a system to adapt to a variety of different shooting scenes. Shooting that requires precision where even the tiniest shake is to be eliminated; shooting in a sound-sensitive situation; shooting without ruining the ambience of the scene; and shooting with good response without missing the perfect shot. These types of shooting will open new horizons in video creation. Furthermore, the absence of a mechanical shutter makes the Sigma fp’s camera structure simpler, which in turn improves its reliability as a camera.
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Sigma fp | Large Heat Sink (Multi-languages)
SIGMA’s take on an entirely new system camera.
The world’s smallest and lightest “pocketable full-frame” camera is here.
The environment that surrounds shooting and art creation is undergoing radical changes. In this day and age when one user may have both a high-performance interchangeable lens camera and a smartphone camera, using them flexibly according to specific purposes and settings, SIGMA stopped and questioned the inherent value of a digital camera.
As a result, SIGMA set itself to develop a user-oriented digital camera that reflected the idea of “how a camera can be” in a more flexible and true-to-life manner, without conforming to manufacturers’ ideas of camera-centric categories and hierarchy.
SIGMA fp Concept Movie
A small camera for a big freedom.
35 mm full-frame Back-illuminated Bayer sensor with approx. 24.6 effective megapixels
Contrast autofocus
The original “World's smallest and lightest full-frame mirrorless”
